Category: Writing

Short Story

Tomorrow, Today, Yesterday

“Aron, look at this,” Dr. Brian Soren grabbed the thin glass of the monitor and swung it into his research partner’s field of view.

The fellowship doctor pushed his glasses upwards on his crooked hawkish nose and squinted over the top of the lenses anyway. Dr. Aron Alvarez was older than his partner, but tried his hardest to match the younger doctor’s latent youthful energy. He pointed at the monitor with his well-chewed mechanical pencil, “What… is that?”

Brian shrugged. “It’s the output feed from Patient 23. The signaling appears to be correct, but that-“

“Yeah, that shouldn’t be there,” Aron rolled his wheeled chair closer to the monitor, shoving the poor pencil back between his teeth, clamping down viciously on its bright orange plastic octagonal barrel.

“So I am not crazy, that’s refreshing. That level of activation on his visual processing seems, off, right?”

Aron waved at the oft forgotten research assistant manning a laptop near the door. “Luce, pull up Patient 23 on the large monitor, then tap his chart to my tablet please.”

The large monitor nearby shifted to a view of a small section of the patient floor, in a simple room with only walls of hung fabric, and Patient 23 strapped to his bed, like any other patient on the floor. Nothing looked out of the ordinary.

“What is he looking at?” Brian wondered aloud. “Do you think this is a side affect of the interfacing protocol?”

Aron waved his hand over the tablet display, flicking quickly through the chart. “I don’t think so… it might be a preexisting condition. What was his baseline?”

“Yeah, not there. At least in this snapshot, I am not seeing activation like this. His baseline is drearily normal,” Brian looked back at the sampling feed on the now shared monitor. “I mean look at the seg2 beta waves, they are off the chart, and his gamma is elevating at a steady rate. His heartrate is up, and his breathing has increased. A panic attack, maybe? Should I get a nurse to the floor?”

“If they see anything concerning they will come running. Which means that while this is odd for our sampling, it is not odd for our nurses. At least not yet.” Aron dismissed the concern as he continued to flick through the chart. “Long medical history here, some psych evals. Possible schizophrenia, some other mental illness. I would say the bulk of them are within our parameters for the test candidates. He did get through the protocol.”

“He did get through the protocol,” the younger doctor concurred.

“Interesting. There is a deep brain stimulation referral in his chart from his mid-twenties, timestamp of March 2024.”

“But he never went through with it?”

“Appears that way, but doesn’t say why. And, again, he did pass through our protocol, which means that there was no foreign hardware in his head or his chest that would indicate a DBS surgery, it would have shown on the scan.”

“This is a crazy thought… do you think it is too soon to try an activation of the processing framework?”

“It wouldn’t hurt him at all. But it might fry our framework without the calibration steps,” Aron replied, but he again appreciated his younger cohort’s enthusiasm for the project.

“He is mostly calibrated though,” Brian pushed. “We are missing the spin up on the neural processors, but we could bypass those and just dump the raw data from his sampling-“

“Ah, yes, directly into the test framework,” Aron interjected. “That’s clever, Doctor Soren.”

Brian smirked. “Come on, its not that clever. We did it with the chimps.”

“Luce, can you shunt Patient 23’s sampling feed directly to the testing framework?”

“Of course, Doctor Alvarez,” the research assistant replied attentively. “Syncing, and the feed should be up in, three, two, alignment… and one.”

The monitor overhead shifted position as the viewpoint shifted from the overhead camera looking downwards at the patient to what the patient’s brain was interpreting as visual input. The screen was hazy, with only shadows and lights, like the patient was seeing nothing but an impression of the space he was within.

“He is awake, isn’t he?” Aron asked.

“He is definitely awake. Maybe the testing framework needs to be adjusted. Hold on.” Brian flicked to the tuning interface on his own tablet, and started adjusting the electrical signaling. Within moments the screen immediately tightened up, the lines emerged, and the shadows retreated.

“There is someone standing next to him? I didn’t see a nurse on the overhead,” Aron wondered aloud.

Brian looked up, and scrunched his eyebrows towards the bridge of his nose in confusion. “That’s no one I recognize.”

“That’s not one of our nurses?” Aron tried again.

The man on the large monitor was dressed in scrubs, but they were a darker color than they should have been, and his face was nearly gaunt, with sunken cheeks and only a wisp of gray hair at the center of what would be his hairline. His eyes were vibrant and shining, looking over the patient head to toe as if examining him.

“No, we only have Jerry on staff, the rest are women. And I am certain that is not Jerry,” Brian confirmed.

“His mouth his moving. He is talking to Patient 23. Shame we can’t pick up language yet.”

“Why is that again?” Brian asked.

“Funding.” Aron replied curtly.

“Shame,” Brian commented. “That would be handy right now.”

Aron stood abruptly. “Call my cell, I am going to go down there and see this for myself.”

“S-s-s-sure.” Brian stuttered. He picked up the phone and dialed.

Aron pushed his ear tab and answered as he walked out the secured double door towards the patient wing. The flooring was an impeccably white, somehow refusing to age like the drab yellowing paint that covered the walls. The lights overhead were their typical clinical glow, illuminating everything with a flatness that made the hospital stereotypical. Brian’s breath in his earpiece kept him company as he filed past the other patient’s beds heading directly to the privacy curtain of Patient 23.

Aron pulled the curtain back with energy, attempting to scare the strange man standing next to the bed. Best to have him out of sorts and ready to be verbally lashed. Strangely, Patient 23 was by himself, his eyeline locked into place towards the curtains at his side.

“Ah you arrived. Grab that man!” Brian exclaimed.

“There is no one here, Doctor Soren.”

“What do you mean there is no on there? I see him on the screen.”

“There is no one here,” Aron repeated. He glanced under the bed, into the curtained enclaves of Patients 22 and 24 on each side, and there was nothing out of the ordinary.

Doctor Alvarez approached the side of the bed and pulled his flashlight from his coat pocket, flashing the light in each of Patient 23’s eyes. The pupil response was normal, but the patient refused to turn his head, as he continued to mutter under his breath. The good doctor lowered his ear to the fumbling lips of Patient 23, trying to hear what he was muttering.

“…no idea. It was not their fault. You shouldn’t… I know… but… no… its not, its not,” Patient 23 whispered.

“Do you hear that?” Aron asked his compatriot over the phone.

“No. Just a minute. ‘Luce, switch over to the overhead.’ Its just you, Aron. There is no one else there.” Brian relayed, his voice jumping away from the phone every time he called over to the RA, “‘ Luce, back to the framework output.‘ Oh my god, Aron, that… that man is standing right next to you!”

Aron spun, only to find emptiness in the curtain enrobed space. He thought he caught a whiff of something in the air, a smell of cloves and the cold of a desert winter’s evening. It reminded him of the stars wheeling overhead when he camped with his dad out on the desert playa all those years ago, the dark absolute and all consuming, just the sound of the crackle of the fire and the far off calls of the owls amongst the cactus.

Contrasting the deep calm of the fireside memory with his dad, there was an overwhelming sense of primal fear tingling through his limbs, his sixty year old muscles tightening under his aged flab that would not melt away regardless of how many miles he put on his runners. A bead of sweat trembled down the center of his back, tracing his spine beneath his undershirt.

“There is no one here, Brian. Just the patient and I.”

“I swear to the heavens above, Aron, he is standing right next to you!” Brian was near manic, his voice escalating with the same fear Aron felt growing in his limbs.

“He is fine… I am fine… leave it, leave it. Its not their fault… So..mmm…” Patient 23 muttered audibly, his lips fading into unintelligible speech. His eyes remained fixed at Aron’s side, locked onto the empty space.

In his ear, he felt it before he understood what he heard. Click.

The phone disconnected, and Aron was alone with the Patient.

“He, uh… he… wants to talk…” Patient 23 muttered, pulling on his straps hard, as if he was going to escape.

“Where are the nurses?” Aron said aloud. The lights were dimmer now, as if the power had lessened on the entire floor.

“You do not need a nurse. You no longer need your technology. Such things are, what? Trivial? As they say?” An amused voice whispered delicately next to Aron’s ear.

Aron was frozen in place, as if time had stopped, entrapping him in a moment like an insect in amber.

The voice continued, “You know, humans are meant for more. This is just the first step, this place. You all fight for a place in your meager tiny universe, and for what, a blip of in the span of the smallest measure of time? In the math that makes up everything, everywhere, you are but a single mote of dust, less than. An atom of the dust. Your time is fleeting in this incubator of experience, where you are meant to gather your uniqueness like a coat gathered around your frame, and carry with you to the next stage, the transcendence of spirit onto the next plane, the next reality. But what do all of you do? Look for ways to muck it up.”

Aron felt his lips release, “Who are you?”

“Does it matter?”

“I built that machine to help others see, to capture their memories, in the hopes that it makes mankind better. And to discover that something is subverting my life’s work, it matters to me.”

“I am subverting nothing but your intentions. And your work here only matters to you. Your father knew what was important. When he met me, he wrapped his arm in mine and sang a song of his family as he walked across the bridges of flowers. What will you sing? Do you remember the songs? Do you remember the smell of the fire? The clove and cinnamon in your tea? Do you remember what your father was actually trying to teach you?”

“Stop it,” Aron said through gritted teeth.

“I am Death, Aron Alvarez. Michael here was trying to convince me not to take you and everyone else in this study, but I have not been swayed. Do you think that you can look through other’s eyes and discover truth? You cannot find truth through your own eyes! Humans are insipid, insecure, infinitesimal bags of wet meat that somehow have souls… these beautiful immaterial constructs of everything that their physical beings are not! You are born when you die! This world is but an egg for you to break free from, and yet, here you stand, believing that you are going to make mankind better,” Death paused. “Look at me, Aron.”

Aron turned finally, feeling his limbs loosen. On the floor, his cooling body laid, tears in his physical eyes. Next to him stood a very different person than what he had seen on the monitor. It was an older gentleman, dressed in the simple garb of a farmhand at the Agave farms. A poncho, well worn and nearly colorless from the merciless sun, was flipped over his shoulder.

“I am the Greshak. For Michael there, I am a kind psych nurse from his youth that illustrated selflessness. For you, I am the man that taught you the value of hard work. For Brian Soren, I am his liberal aunt that taught him the truth of being bold and brilliant among the dullards. For Lucinda, I will be her little sister, who was lost to cancer ten years ago and showed her what true love actually is. That is what this world is meant to be, Aron. Not a search for truth, not a hunt for what can be observed… It is meant to be a search for the connections, the things that bind your experiences together. Out there, beyond this place, is a new frontier for you. And if you cannot figure out the basics, you have same choice everyone gets.”

Aron looked around the floor, seeing all of the patients of his neural uplink study lying dead in their beds, somehow knowing that Brian and Luce were in the lab, slumped over in their seats. Somehow he knew his work was being destroyed by some unassailable force, the destruction of everything contained within the nuance of what would be labeled as a gas leak and an unfortunate series of failed storage drives. His life’s work, gone in only a moment.

“And what is that choice?” Aron responded.

The Greshak shrugged. “Oblivion.”

“Not much of a choice.”

“It is for many. Do you not see? The interconnectedness of your lives is what matters. Not the bullshit of what you think is important. Your experience is wholly shaped by others. As their experience is wholly shaped by others, including your own impact on their lives. Why would anything else matter? I can tell you that Brian was shaped by you, as was Lucinda, but you never thought of that did you?”

“I guess not.”

“You must think on these things. The universe is so much larger than you realize, and it gets, what is the phrase that is popular now, ‘it gets real’ out there. So for many, oblivion is actually a very simple and easy choice.”

“Do I have to choose now?”

“No.”

“When do I have to make the choice?”

“Tomorrow, Today, or Yesterday, after all, time doesn’t matter. But idling here will quickly disconnect you from the world you know. And no one likes a ghost. Just let me know when you are ready to be picked up.”

The Greshak was gone. Aron floated through the curtains, wandering the ward, but the bodies were already gone. The lights had changed. New windows appeared on one side, then smiling children with casts on their arms appeared one moment, then the next, a wall went up nearby, and he heard the cacophony of an emergency department cascade through the halls with overhead pages going faster than he could make out.

He stood there for maybe ten years? Maybe it was a hundred. It was impossible to tell.

Eventually, he knew he would call out for the Greshak. Eventually, he knew what his choice would be.

Verse

Finding Me in the Neverhalls

The halls are ancient, older than the earth, the sun, the stars
Red horizons at the edge of the ever expanding nothing is hardly older
The odd dreams of strange things walk these halls, some slither,
Some float, some exist and yet, at the same time don’t
They are all conjoined by the never was, the could have been, the maybes

Wild, chaotic, run away probabilities coupled
And wound, bound, to the variances of impossibility

Many halls are wider than entire vistas, the walls lost in foggy distances
A few halls have stars wheeling overhead, under a far off roof bathed in night
There is a rumor of a hall containing an entire galaxy, spinning, but
Lies can exist here too, so that is nothing strange unto itself.

Water flows through the walls like life blood, writhing and alive
The constructs of the halls are optional, walls can be ceilings
Floors can be nothing, light can be missing, but dark not found
Glass exists in strange ways, reflecting only when it chooses
To not allow other horrors to pass, to watch, to observe

Dark is prevalent, dark oozes from the corners, it slinks
But it is kind, not evil, not malicious, dark wonders aloud

The halls are my home, the magic originates from here, my mother lives
Within its embrace, sequestered from the normal worlds, eschewed
My father dreams in these halls, fighting dust motes in his madness
Crazy can exist here too, and that is strange when you think about it.

You found me here, wandering in my youth, and you, shocked by my normalcy
My pants were only pants, with two legs, my shirt was tucked behind a belt
Sure, my hair was a bit wild, and I had some dirt on my hands,
But I was a normal guy wandering the Neverhalls, looking for something
You asked what, and I replied that I would know it when I saw it.

I do not say it aloud, but I feel the water seething, it knows
The oceans are challenged, and they do not wish to be controlled.

You were a lost thing, fell through a crack in your world, an absence
Death can do that, I tell you, offering you a bit of a pastrami sandwich
You nearly fainted, thinking you were dead, I assured you the opposite
After all, why would I offer a spirit a sandwich?

You ate both halves of the sandwich, and that was good, you were famished
You tell me your name is Catherine, but your friends call you Kit
Your parents died, and you collapsed into yourself at the funeral
A bench in a garden, secret, under the church gable covered in vines
You leaned against wall that was a hall and have been here for the night

I realize that you are the most beautiful person I have ever met
And the Neverhalls have amplified your uniqueness tenfold

Can you take me home, you ask, looking over your shoulder at the vorcigaunts
I assure you they are quite friendly, even though they look like …that
Birds made of corpses and old books can be offputting, but lovely otherwise
You smile haltingly, and I assure myself its temporary, death has visited her.

I offer my hand to you, here in the hall in which you fell,
A good one though, this at least had running water in the twilight
And the vorcigaunts keep things clean to keep away the predators
You are smarter than you know, hiding beneath their eyries, under shadow
The dark likes you too, I hear it whisper, it thinks you are kind

With the rapid explosive flight of my heartbeat to the roof far above,
You take my hand fleetingly, your touch as light as a deadeye moth

I lift you to your feet, free from the rocks in which you clung
And it is like the Halls is giving birth to you, welcome to the world, Kit
I smile gently, and you return the smile, stronger this time
We should probably take you to my mother, I say, she may be able to help

Will it be far, you ask, stepping lightly over rocks, letter jacket clung tight
Not far, you came much further when you fell into the halls, I laugh
My mom chose to come here, she knows the secret paths to the worlds
She knows how to find the signs, the markers, the doors, avoid guardians
That stand steadfast against the outsides, the reals, the questions answered

Everything beyond the Neverhalls is potential, cusped, wholly realized
There are many realities, and all of them are terrible in their own way

Can I trust you, you ask, tentative perhaps, hesitant for unwanted truth
I think you can, but if you don’t, that is ok too, I will give you space
You can follow me, and if you don’t feel safe, you can come back here
You know this place is safe, right? The vorciguants will protect you

The dark whispers that it will help her too, I feel it in my bones
Ok, you say proudly, loudly, and your voice rings against the rocks, let’s go
I grin stupidly at your innocent bravado, and you chuckle in turn
Truly, I mean it, you say, I think we should go, the birds may be nice
But I rather not find out the hard way, and where do the babies come from?

Born from fallen books, the ones thrown from ledges and library shelves
The knowledge within given birth to sentience, pulling life from death in turn

Instead I say that someday I would explain, but for now, let’s start walking
I walk ahead of you, and you follow, I whistle lightly, spreading my hands
Out from my sides, my arms stretched widely like a scarecrow, I call the leonids
What are you doing, you ask, your eyes questioning every decision yet

Calling some friends to light our way, like lightning bugs that you know
Here they come, I announce, and small stars pop into being around us
Their light is red and gentle, suffusing the air like the soft breath of promises
What are they, you ask breathlessly, amazed at their silent arrival
Leonids, red giant stars that decided they rather be small, I reply

How absurd, you reply, shaking your hair out, taking a few quick steps
You move up to my side, and put your arm in mine, surprisingly

They are quite lovely, you say, I notice the corner of your mouth go up
Its a quirk of your smile that I will treasure forever, the curve
It is there when you are mad, it is there when you are being sarcastic
It is quite lovely, I agree, talking about something else altogether

My mother’s house is in the Hall of the Shattered Elm, you will love it
As we walk under a twilight, red warm light showing us the way

Verse

History is on a Loop

Upon a hearth of twisted stone
Ribbons of fire entangled within
There speaks a voice indiscernible
Contained at the edges of the glow
Nestled fuzz set to licking flame

There are lies here, the dreams of yore
The dreams of your parents, grand,
Their parents, unbelievable and great,
But to the wastrels of the embers
At the crest of the pit, are our children

So enamored with their reflection
Narcissus would be envious of such
Folly to be had at the hands, laid
On the devices that promised wealth
Knowledge, vast and unrestrained

Corrupted by the wealth of those afraid
To be lined against the wall of their
Entitled, notarized consequences, sat
Shat on the children of those come after
And for what? More indeterminate wealth?
More cock? More pleasure? More rape
Of the those that cannot stand or push?
Such losses have they carried, such horrors
They have endured, only to suffer at the wheel
Of a world that does not suffer the weak

The weak always are, until they aren’t

Those beasts tolerate the hypocrisy of a mirror
Reflecting the envisage of Lovecraftian horror
Dressed in the latest Prada and Gucci
This season is so last season, already
Nevermind the bodies, they shall pile nicely

What of the disassociated of us?
What shall we say to them? Rise up
Against the systems to which you slave?
How would they feed on at the trough
Of loss and value capture among the masses

No, those flames do not burn at the glass
They reside deep within all of us, ignored
We pity those who hope, for we know
We have seen their losses, a study, a narrative
That is distilled through money, filtered

And yet, we hold out hope, that the world
Is salvageable, saved from the ignorant smart rich
And the less reliable rich smart ones that lord
Over us serfs, scrabbled in the hard packed earth
Fighting over seeds the terrible have deigned
To spread over our yellowed scrabble
Will we bounce back against these captors?
Can we find their pencil necks among the chains
Or will we throttle the babies first
And pray for absolution in the utter silence beyond?

History is poetry, it turns like a good limerick

That woman from Nantucket, whom
Gives good head with a bucket
Only to feed her kids, since the third job
Laid her off due to cost measures
The owner needed a third boat

I hoped once for a new world, without
The blood and death of revolution
But older now, to dwell on childhood dreams
Is to eat candy without the sugar
And now the wall awaits its rich blooms

Like a painter of abstraction, absurd
The billionaires will bleed gold
Line them up first, to set the highlights
Then the oldest wealth next,
They will black and red the rest

Can we survive an empire fallen, asunder
It dies by degrees, small choices and folly
The seas rise, the coasts subsume, and the poor
Fight along themselves, never blaming the oligarchs
They sit on their ivory, isolated from the peasants
They argue over the next million they shall burn
And the limerick gains speed to its conclusion
The revolution simmers beneath our fires
It waits patiently, standing guard of the corpse
Of a country ready to eat itself in its discontent

Bloodless revolution is change without impact.

Short Story

The Terrors Below

First let me start out that I played a lot of video games. Not as many as some, but probably more than a lot of you. I would say I was an expert of a sort. I know what the tropes are, I can describe the motivations in level design, and I could be considered a source of authority on aesthetics and user interaction. A great example I could point to is the level design of the classic Half Life or Left 4 Dead. If you see a light in a dark hallway, that is usually the level designer attempting to entice you towards the next part of the map. Progression through appealing to our monkey brains.

But some of the best games take our monkey brains and expose their soft pink folds to something else.

A fear of deep water as you tread away at the surface. Dark shapes beneath you, unmoving, yet aware. The thrum of a noise you feel in your chest more than what your soft delicate ears can pick up. That is where terror lives. Screaming, throwing hands up and down, tossing leaves, and baring teeth because running away means that you are the prey. You are the dinner. I know this too. I am expert of a sort.

I wonder how many monkeys were eaten before our fur covered ancestors learned to make weapons? How many poor screaming scared creatures met their end between the jaws of something larger? Monkey teeth are sharp, but those predator teeth… the ones long as swords and serrated like steak knives, those are something else.

The game that I speak of is Subnautica. I have played it from start to finish at least four times, exploring every nook, every cranny, every square meter of the digital world. I have conquered the Leviathans, I have scared off the small and large predators, and I have built farms and resource harvesters in the deepest places of the game world. I have dropped my Seamoth of the crater edge to see how many Ghost Leviathans I can spawn in before I lose my nerve. I dart into the deepest Leviathan spawns in the map as well, swimming right up to the beasts, scanning them, smacking them with my ineffectual heat knife and swimming away before they can kill my character in revenge. I used to laugh about such things.

I have beat the game in every way. I have conquered the puzzles, the resources, the builds… everything.

That is why I am writing this down. Well part of the reason anyway. I have been told to write it down. But I wanted to to assure you.

To let you know that your monkey brain is not prepared.

I thought a couple weeks ago, that I should do it again. I said to myself, Hey Self.

Self went, Hey what?

I continued, We haven’t beat Subnautica in the last year. Maybe reinstall it?

Too bad you can’t flush the memories of playing it, but it would still be better than half of the games the triple A studios are vomiting on the market.

Self went, Hell yeah. Let’s do it, irrational voice in my head.

A couple right clicks here, a couple left clicks there, and boom, Steam had installed it and thanks to my fast internet, I had the game at my fingertips again. Time to dive into Safe Shallows, start scanning, and find as much Titanium wreckage as I could to get a jump on builds and the blueprints. I can kind of trick myself into finding the wrecks, stumbling into them in a roundabout way, feigning surprise and scanning what I can. I can race my O2 timer, and usually play a little loose, knowing exactly how long it takes to take damage. In the past, I have enforced rules that the game designers may not have intended, like I only play with the progression that is forced on me through the narrative, and not just grab as much as I can ahead of time… in effect racing the designer’s intent. I decided to play it that way again, and not rush through.

But now… I am questioning my sanity. Because the game is different. I checked the patch notes, nothing new since my last playthrough. The developers had not changed the game version at all. Yet, here I was, in the Safe Shallows, and I could hear something else.

A thrum.

A thrum that has never been there before. My monkey brain immediately cried out, shrieking its loud monkey scream, and the thrum persisted. It filled my ears, my consciousness, my all. Exploring in the cardinal directions, I could hear it getting stronger to the south, a little west. There is typically a leviathan over there called a Reaper. They are designed to scare first time players, but relatively tame if you know what not to do. It spawns in early and will destroy your first sub called a Seamoth if you let it.

I swam that way, following the sound instead of turning the game off, as I should have.

I found the Reaper dead, floating on its back, with strange graphic fidelity another creature eating away at its carcass. That was a massive red flag. Creatures do not have eating animations in Subnautica. A larger creature will collide with a smaller creature, there will be a flash of green-ish blood, and then the smaller one will be gone. You don’t see a Sand Shark chewing away merrily on a Boomerang Fish. But there, on my monitor, there was a black thing wrapped around the red and orange Reaper like a boa constrictor, mechanically chewing away at the midsection. This was no game model I had ever witnessed.

It looked real.

I hit my screenshot hotkey, but Steam told me that it was disabled. I tried to turn on my Twitch capture, and the app wouldn’t load. I even pulled out my smart phone and tried to take a picture of my monitor, but every time I tried, my camera app only captured a blurry screen.

I couldn’t capture the black form, wrapped around the great beast, its tentacled maw shredding digital chunks of flesh. Below, there were Sea Treaders collecting the scraps that fell from the black beast’s shredding machine of a mouth, which even from this distance, appeared to be a flurry of spiked tentacles and spinning teeth.

Sea Treaders don’t eat either. They go in a circle, stomping the ground in a completely different part of the map. What the hell is going on with my game? I felt a strange distant terror in my gut, as if the scene was real, that huge dead Reaper was real, and the… thing… eating it was even more real still. Purring in the water, the thrum on the deep.

I closed the game, not even bothering to save. My heart was thumping in my ears, the rush of blood pushing on me at my desk, telling me to get up and run.

I sat in silence, forcing my heart to slow down. Once I was calm again, I got to work hitting the game wiki. I checked everywhere. I ran Google searches, I posted to the Steam forums, and I even sent an email to the developer. I found nothing but confusion, internet troll level forms of teasing, and some developer congratulations for enjoying the game so much.

I slid my mouse cursor back over Subnautica in my game list, clicking once to highlight it, wondering if I should uninstall it. I hovered.

That black thing. Its eyes were darker still, flashing from the depths of my mind. A flash of white.

The game booted and I was greeted by the peaceful and serene automated voice welcoming me back. I awaited the thrum. But only the sound of the Safe Shallows waves tapping against the hull, permeating by base. I exited the base door, and first noticed the lack of fauna it. Usually the water was teeming with small fish that made up the bottom of the food chain and the resource ladder, fish that fed the player’s character and helped with basic survival. But now, they were gone like bugs going eerily silent before a storm. In the distance, I heard the undeniable scream of a Ghost Leviathan. These monsters are only in a few key places in the world map, and spawned automatically in the ecological dead zone outside the crater of which the game takes place. They are meant to be a game design choice to keep the player where they should be, exploring the crater’s depths, and not in the vast empty nothingness beyond. Yet, just at the edge of the visual range of my character I could see the Ghost Leviathan tearing away. Perhaps it had glitched in somehow?

My rational brain was of course trying to make sense of it. But there is no sense to be made here.

A pursuing dark thing writhed through the water like it was a chemical reaction not restrained back by any semblance of fluid dynamics or the more obvious programmatic means. It grabbed the Ghost Leviathan by the tail, and enveloped it like a coiled spring, tearing into it, as the leviathan’s hollow shrieks echoed across the Elysium folds of the Safe Shallows. Thumping, bumping, and not far behind, the sea came alive with the sound of Sea Treaders following the malevolent cloud of death providing digital manna from above.

This is all beyond the programming, the design, the epitome of the experience. I know it is a game. I repeat it over and over, like it is a holy mantra. I mutter it under my breath like a forgotten exhalation escaping from between my lips, counter to my aspirations. It sounds far away to my own ears. I flee back to my Seamoth, and head towards the deeper waters.

The vines part, the scattered fish scurry onwards, trying to flee the terror behind. The sandy plains open up below, their red grasses waving as the sand sharks gnash and writhe. I pull into the dark crevice that marks the entry to the deeper biomes… the Lost River is far below me. Warpers drift here and there in the dark, I can hear them even though I cannot see them. Above a shadow eclipses my craft, and I pull my Seamoth as close to the walls as I can, hearing the titanium hull scrape. The writhing black mass sluices past, diving for the deeps. Did it follow me? So far, it has seemed to ignored my presence.

I spun my Seamoth in place to head back to the Safe Shallows. My craft did not move forward.

Black lines creep across the glass, vines of horror foretelling the onset of death.

What can I do? I ask myself mutely. Inwardly I know what my fingers should do to control the game, but my mind blanks, stalling against the muscle memory at my fingertips. My Seamoth slides backwards towards the crushing depth, the blue azure light fading above. I know I could escape the craft, but I also realize that the horror will only grab me and drag me along.

This was not the design.

This is terror. I pushed away from my desk, breathing heavily, but I cannot take my eyes away from my monitor. I reached for the power button, my fingers shaking.

Thalassophobia. That is what it is called. My monkey brain knows that dark things used to prowl the deep waters of the Earth. And here in this virtual world, those dark things have found a new home. A way to feed on those monkeys from hundreds of thousands of years ago.

I screamed, pushing the power button over and over, smashing it as if it is a living thing itself.

The button does nothing. The light of the water fades, as my monitor goes black, and the thrumming drowns out everything else through the soundbar on my desk, the bass making my mouse click as it vibrates the wood.

I know, in my core, that this is only a game. I knew it then, and I know it now.

Isn’t it?

But… what if it isn’t? What if there is something real here? Between the lines of code, residing in the darkened pixels on my screen… an apex predator lies in wait? If I tore my eyes away from the animation of the crushing dark, would I be able to?

With ironic horror, I realize that this is what a deer feels as a car barrels towards it in the dark.

I am only a deer.

I submit, and I feel the terror consume me. I tip backwards in the chair, and my walls writhe, the darkness consumes… everything.

I haven’t touched a computer since. The therapist says I am getting better, but I am not. The darkness writhes everywhere I look. The terror was not a single event, a challenge to escape, it is the outcome. I am nothing more than a meal that continues to struggle it its machine maw.

The invisible leviathan thrums still. I feel it in my bones. My soul is awash in its feasting from, it is only a matter of time until I nothing more than a catatonic husk of my former self. The sea treaders must be nearby, waiting for the chunks to drift downwards.

Thrum.

Thrum.

Thrum.